Rating 2 of 5. Well, they tried again n they tried hard n I tuned in hoping with lump in throat that finally, somehow, the stars would come together n Hollywood would actually succeed in producing a normal show that would appeal to the audience that the show was clearly intended to attract. Did it succeed? Did the moguls of LA accomplish what even third-rate show producers of the 1960s could create by the dozen with their eyes closed?
Not just No–but Heyll No! Of course the Wokified monsters of today’s Hollywood celluloid could not put out a simple show capable of attracting a male audience. Tulsa King is garbage. Tulsa King is preposterous. Tulsa King is not believable in the slightest. Tulsa King is a comic book made not for men, but for women who cosplay as men or for men who think like women.
Despite the superb delivery of Sylvester Stallone, whose performance must rank with the best he has ever delivered, the show Tulsa King reeks of the same Wokification Disease that Hollywood insists on injecting into everything they create. They just can’t stop themselves.
To begin with, Tulsa King in its conception is already flawed. The basic premise is “The Mafia Goes West”. How tired is that? What franchise, after exhausting every other avenue, doesn’t eventually resort to making an episode of “Going West”? Star Trek did it. X-Files did that. Back to the Future likewise. Even Laurel & Hardy n the Three Stooges did it. What’s next? “The Mafia Timejumps to Nazis”? Star Trek did that too. As did the X-Files. You can bet your grandma’s dentures that a Nazi episode is also on the way for Tulsa King, with Sylvester Stallone skulking in 1930s Berlin trying to kill Hitler.
Nothing is too stupid for Hollywood moguls not to push on a brainwashed–or braindead–public. Sadly, this seems to be the best that Hollywood can manage in this age of cultic fanaticism, called Wokism, which has infected the whole movie industry.
For instance, Stallone’s best bud is a black guy. Stallone even has to play the White Knight, challenging inveterate white racists who won’t sell a car to a black, as ridiculous a postulate as can be conceived, but a trope of every Woke movie since JFK bit the dust, or at least the back of his car. Every black is either supportive of Stallone or an innocent victim of the standard off-the-shelf Evil White Male, who, since the producers located the story in Tulsa, of all places, white males are in plentiful supply, strangely enough.
Why not locate the story in Atlanta? Or in New Orleans where we know actual Mafia operated, where we know the mafia had a hand in the assassination of Kennedy? Or even Miami where mafia of many different ethnic backgrounds operate? For one reason only–Hollywood wanted to dump on their favorite whipping boy–white males, the only ethnic group in the US that has zero representation in any level of government, having been effectively disenfranchised by the Civil Rights laws of the 1960s into an unemployable caste of Untouchables, with only redheads n albinos below, n traitors n Republicans above.
There was no other reason to choose Tulsa than this blind hatred of Jewish Hollywood for the people who created the country which protects n hosts America-hating Jewish Hollywood n who enabled it to grow rich–white males. The moguls wanted a location where they could insult n gruesomely murder their chief historical benefactors without guilt or consequence. In the end, Tulsa King is just a rerun of The Hunters, yet another Jewish murder fantasy where they can pretend to slaughter every white male they find, in yet another amazing display of disloyalty n ingratitude. Talk about fouling your own nest, while fouling the nest of your hosts….
My rating would be 1 of 5 because Tulsa King does have some slight appeal to my masculine nature. Otherwise, it would deserve 0 of 5. But given Stallone’s performance, I raise this to a generous 2 of 5.
